“No, not penitent, don’t write that. I’m not much good myself, I’m not
very beautiful, so I had no right to consider him repulsive. That’s
what I mean. Write that down, if you like.”
Saying this Mitya became very mournful. He had grown more and more
gloomy as the inquiry continued.
At that moment another unexpected scene followed. Though Grushenka had
been removed, she had not been taken far away, only into the room next
but one from the blue room, in which the examination was proceeding. It
was a little room with one window, next beyond the large room in which
they had danced and feasted so lavishly. She was sitting there with no
one by her but Maximov, who was terribly depressed, terribly scared,
and clung to her side, as though for security. At their door stood one
of the peasants with a metal plate on his breast. Grushenka was crying,
and suddenly her grief was too much for her, she jumped up, flung up
her arms and, with a loud wail of sorrow, rushed out of the room to
him, to her Mitya, and so unexpectedly that they had not time to stop
her. Mitya, hearing her cry, trembled, jumped up, and with a yell
rushed impetuously to meet her, not knowing what he was doing. But they
were not allowed to come together, though they saw one another. He was
seized by the arms. He struggled, and tried to tear himself away. It
took three or four men to hold him. She was seized too, and he saw her
stretching out her arms to him, crying aloud as they carried her away.
When the scene was over, he came to himself again, sitting in the same
place as before, opposite the investigating lawyer, and crying out to
them:
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